Paintings on Paper? Not so fast..

In honor of San Diego Comic Con this week, I was inspired to put together this list of the materials I use to protect my artwork during a show. Some collectors may not have the budget to purchase one of my large originals, so I always have a collection of 16x20” paintings available with those collectors in mind.

My smaller pieces do not lack anything that you would find on my large works. They are professional materials, the same amount of attention to detail as my larger pieces and all protected with varnish. (To watch my varnish and fixative process, please click here.) Having said that, I am unable to find paper that holds up to my layering process. I use canvas sheets instead. (Supplies linked below.)

Shown, “Perfect Positive” in a virtual living room. For more info, please tap the image.

There is nothing more thrilling than flipping through a stack of paintings from your favorite artist. Collectors feel special and like are treasure hunting! It is a very exciting process! I keep my art protected at all times with the following supplies:

Canvas Sheet: It’s important to note the difference between “canvas paper” and “canvas sheets”. Canvas paper does NOT hold up well for me. I buy Fredrix Canvas Sheets.

You’ll need a backing board to be able to slide the painting in and out of the cello envelope. I buy these 4-ply boards from Clearbags.

These 16x20” crystal clear bags, with resealable flap are like the bags I use.

For an extra layer of protection, I like to use these glassine sheets on top of the art.

Let me know if you have any questions or comments below!

Julie Prichard original abstract paintings on canvas sheets.

(These pieces are not to be confused with the mini’s I make sometimes. Those pieces are indeed on 5x7” cut paper and have less layers and details than these larger works.)